Theodor Adorno, Philosophy Of Music

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Title
Theodor Adorno, Philosophy Of Music
Publication year listed
1910
Format
Public domain eBook
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Theodor Adorno, Philosophy Of Music

Author: Theodor Adorno

Year: 1910

Fragments and Texts ONE PRELUDE TWO MUSIC AND CONCEPT Towards a Theory of Beethoven THREE SOCIETY Text 1: The Mediation Between Music and Society FOUR TONALITY FIVE FORM AND THE RECONSTRUCTION OF FORM SIX CRITIQUE SEVEN THE EARLY AND ‘CLASSICAL’ PHASES On the Piano Trio op. 97: Elements of a Theory of the Extensive Type Towards a Theory of Beethoven EIGHT VERS UNE ANALYSE DES SYMPHONIES Text 2a: Beethoven’s Symphonies Text 2b: Radio and the Destruction of Symphonic Form NINE THE LATE STYLE (I) Text 3: Beethoven’s Late Style Text 4: Ludwig Van Beethoven: Six Bagatelles for Piano, op. 126 TEN LATE WORK WITHOUT LATE STYLE Text 5: The Alienated Magnum Opus: On the Missa Solemnis ELEVEN THE LATE STYLE (II) TWELVE HUMANITY AND DEMYTHOLOGIZATION Text 6: The Truth Content of Beethoven’s Music APPENDIX I Text 7: Rudolph Kolisch’s Theory of Tempo and Characters in Beethoven APPENDIX II Text 8: ‘Beautiful Passages’ in Beethoven APPENDIX III Text 9: Beethoven’s Late Style ABBREVIATIONS EDITOR’S NOTE EDITORIAL AFTERWORD COMPARATIVE TABLE OF FRAGMENTS

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